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Some of the first images that come to mind when I think of summer photography are of Fourth of July fireworks. Dramatic and colorful, fireworks displays are a great summer tradition that many people want to capture. Surprisingly, it is easy to get great fireworks photos when you plan ahead. Here are some tips to help you best capture this fun symbol of summer.

1. Keep the direction of the wind, if there is any, in mind when choosing a location to shoot from, and make sure you’re ready to shoot when the fireworks start. By the end of the show there can be a lot of smoke, making for hazy photos.

2. Consider ahead of time how you want to frame your shots. Do you want a wide-angle view of the whole scene, or close-ups of the fireworks filling the frame? Remember that it can be difficult to take close-ups because you don’t always know exactly where in the sky the fireworks will be.

3. Use a tripod! You will need to use long shutter speeds to get the streaks of light that make fireworks photos so beautiful. If you don’t have a tripod, or won’t be watching the show from a location that allows for one, look for something sturdy, like a ledge or tree trunk to rest your camera on.

4. Turn off your flash! The fireworks are going to be far away, so your flash will have no effect on that part of your image. The most it will do is illuminate the smoke in the air, distracting from the main point of the shot.

5. Consider using a cable release, or self-timer mode to avoid shaking the camera when you hit the shutter button.

6. Use the lowest ISO your camera has. You’re going to want to do long exposures and using a low ISO will allow you to do that without overexposing your shots.

7. Use manual mode if your camera has it. As a starting point for figuring out exposure, set your camera to f/11 and try a shutter speed of 2 seconds. If your images are too dark, open up the aperture (set it to a lower number), and if the images are too light, close it down. If your camera doesn’t have a wide range of aperture settings, you can control the exposure with the shutter speed, but keep in mind that the faster the shutter speed the shorter the streaks of light in your images will be. You can also use BULB mode if your camera offers it. In BULB mode the shutter will stay open as long as you hold down the shutter button, allowing you to sync your exposures with the show.

8. Chances are you’ll be far enough away from the fireworks to get them in sharp focus with your camera set at infinity. If not, you may want to move farther back! Take a test shot and make sure your focus is correct, and then switch your camera into manual focus mode. This will save you the frustration of missing shots because your camera was busy trying to focus.

9. Set your white balance to ‘daylight.’ If you leave it on Auto the white balance is likely to change from shot to shot as it tries to correct for the color of the fireworks.

10. Take a lot of pictures! You’re much more likely to get the perfect shot if you take as many pictures as you can. And with digital, why not?

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Union Station Fireworks by kcphotos on Flickr

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2

Lensbabies

Posted by Calista Chandler Jul 1, 2008

There are a lot of fun ways to add a new twist to your photographs, but few are as fun as the Lensbaby. The Lensbaby is a simple lens for digital or film SLRs that allows you to achieve special effects that no standard lens can offer. It consists of a single element connected to a flexible tube that allows you to change the angle of the element with the touch of a finger. This means that you can change and manipulate how much of your photo will be in focus, and the rest of the frame will be out of focus in an interesting way. It produces images that are similar to the plastic Holga cameras of the film world.


The company Lensbabies offers a few models of the popular product:

• The Original Lensbaby has a distinct look that includes “glowing highlights, subtle prismatic color shifts and the trademark Lensbaby graduated blur,” according to the Lensbabies Web site. It has a variable aperture which can be changed with the replacement of easily accessible disks within the lens. It is ideal for portraits and artistic photography. It retails for $96.

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• The Lensbaby 2.0 features an improved variable aperture, with aperture disks that are held in place with magnets instead of a rubber gasket. This model is advertised as being able to produce sharper and brighter images, due to the addition of a coated lens doublet (essentially two lenses attached together) instead of the single lens element of the Original Lensbaby. It retails for $150.

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• The Lensbaby 3G is the newest offering, and has several features that set it apart. The most distinct feature is the ability to lock the lens in place, with the bellows at any position, for repeatability and long exposures. A focusing ring has also been added, allowing fine focus adjustments. This model also offers a wider range of aperture settings, from f/2 to f/22, and a sharper lens than the other models. It retails for $270.

Lensbaby3G.jpg


A few examples of Lensbaby photographs:

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Riding on the Metro by BitBoy, shot with an Original Lensbaby.

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An Image by quinnums, shot with a Lensbaby 2.0.

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An Image by End User, shot with a Lensbaby 3G.

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