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3 Posts tagged with the digital tag
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Alan Einstein, known as Eye of Einstein on Flickr, is one of the photographers featured in this week’s Maui/Big Island issue. As a Hawaiian local, Alan has the envious opportunity to photograph the tropical beauty that surrounds him daily. He shares his photographs with the Flickr community, where he has photos in many different pools reserved exclusively for the best of the best in the Flickr-verse. He was kind enough to also share some insight into his life as a Big Island big shooter.

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Eye of Einstein with Miss Kitty

TravelMuse: Tell us a little bit about yourself.

Eye of Einstein: A little about me is that I am now considered a bona-fide senior citizen and therefore have the benefits of leisure time. I am retired from being a working guy. I spent most of my life in the motorcycle industry, now I’m devoting more time to my photography. I have been fortunate enough to have lived in Hawaii for around the last 40 years, but I spent my early formative years growing up in New York City. Living in Hawaii has offered me many opportunities to honor the practice of photography. I have had some of my works published over the years: some in magazines—experimental fashion, rock concert, motor racing—and others in the newspaper. I have evolved into living in a rural, leisurely style. I live in a very rural area of the Big Island near the active volcano and convenient to all natural and wildlife observance.

TM: What made you decide to share your photography through Creative Commons?

EE: Creative Commons seemed to be an opportunity for much more equitable sharing of my work. There are literally millions of practitioners of photography on earth.

TM: I've noticed that you are very active in the Flickr community. What kind of feedback or response have you gotten to your photographs on Flickr?

EE: Activity on Flickr involves interaction just like any social network and only a percentage of that interaction is about the actual photograph. Initially it is all about the perception of uniqueness and style and the quality of image, and it segues smoothly into making new friends worldwide. It is a very complementary society and a great way to learn about the world and the world of photography. It also can be obsessive and take a great deal of time to post and interact.

TM: What is your favorite thing to shoot?

EE: I have been interested in the practice of photography pretty much my whole life. I can remember having a Kodak Brownie camera, and I recall as a child hearing someone say to me, “What are you taking a picture of ‘nothing’ for?” My absolute favorite is to capture grand vistas of landscapes and panorama in the way that my mind’s eye perceives them. Sometimes I like to capture cityscapes if I am traveling.

TM: What is your approach to HDR photography and other post-processing techniques?

EE: I appreciate HDR and other post-processing techniques. Mostly, I think moderation is the key factor in these applications. I use post-processing extensively in a great deal of my works. I see nothing wrong or weird in using the digital darkroom at my disposal.

As a side note to this, I also have been trained in the zone system of black and white photography. In the present-time, I also use my camera phone for taking photos and have been pleasantly surprised at the results.

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TM: What advice do you have for aspiring photographers?

EE: Speaking to digital photographers, I would say to take as many pictures as you can each day and to find a simple editing program to get familiar with the possibilities. Also, develop some style of one's own if possible.

TM: What is your favorite photo that you have taken, and why?

EE: This is a difficult choice, as I have several favorites, and they fit into different genres in which I have found myself immersed session by session from time to time. One is called “il bacio” a photo of two pears; another is called "boris the spider" a macro of a jumping spider; still another is a futuristic skyline shot of Honolulu and another taken at Keehi lagoon of sailing craft. The why is the feeling of personal satisfaction, of technical achievement and of mating the art and the science of digital photography.


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“il bacio”

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“eye on relationships”


Perhaps you would like to see them on my flickr photo stream at eye of einstein?

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With digital photography becoming increasingly popular, and digital cameras coming down in price, it seems like everyone is shopping for a new digital camera. As a photographer, I get a lot of questions from friends and family about digital photography. I’ve been asked everything from, “What kind of memory cards should I buy?” to, “Why do my pictures look grainy?” or, “What is a megapixel anyway?” Well, here are some answers to those questions, as well as a basic overview of the major elements of digital photography.

Pixels and Megapixels
A digital image is made up of a grid of tiny dots called pixels that correspond to the grid of light-sensitive pixels on your digital camera’s sensor. The resolution of an image refers to how many millions of pixels, or megapixels, it has. The megapixels that a camera offers can be calculated by multiplying the dimensions of the images it produces, so a camera that creates digital images with the dimensions of 2400x3000 pixels has 7.2 million pixels, or 7.2 megapixels.

I can’t count how many times I have been asked, “How many megapixels do I need?” The answer depends on what you plan to use the images for. If you plan to use your pictures only on the computer and online and are not concerned about making prints, you don’t need very much resolution. A 4 megapixel camera will produce images that will more than fill the screen of a 23-inch widescreen monitor (at 1920x1200 pixels). If you would like to make prints up to 8x10 inches, you need more resolution, but 6 to 7 megapixels should be plenty. For larger prints, you’ll want to look into cameras that offer 10 or more megapixels.

Digital Image Format
Another factor that has a lot to do with image quality (though not resolution) is the digital image format you choose to shoot in. Most digital cameras offer multiple choices like JPEG, TIFF and RAW. JPEG and TIFF are file formats that are universal and are compatible with most image editing and viewing programs. Both formats are compressed, which in JPEG results in a smaller file, but can cost you in image quality. In TIFF the compression is “lossless,” but the file sizes are larger, filling up your memory card and computer hard drive faster.

The RAW format is a choice that has become available only in recent years and offers greatly increased quality over both the JPEG and TIFF formats. The name RAW refers to the raw, unprocessed characteristic of the format. Digital cameras take the information from the sensor and process it to produce JPEG or TIFF images, but RAW files are made up of the original image information as it comes off the sensor, unaltered by in-camera processing. Every camera has a different kind of RAW format, so processing RAW files requires special software that can interpret the data. Camera manufacturers provide the software. and many image-editing applications are now supporting RAW formats from multiple manufacturers.

Shooting in RAW allows you to have greater control over things like the sharpness, white balance and exposure of your image. It is the first choice of professional photographers and serious hobbyists. The drawback of RAW is that each file requires more space than the other formats, something to consider when buying memory cards and hard drives (a topic that will be discussed in a future post).

So, hopefully that answers a couple of questions about a few terms you’ll likely encounter in relation to digital photography. Check back next week for a post explaining digital vs. optical zoom, white balance and other (potentially) confusing photo concepts!

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It always takes me a while after I get back from a trip to sort through my pictures, decide which ones to print and then finally arrange them into an album. In fact… sometimes it takes me more than a year to get around to it, so the images sit unseen on my computer's hard drive. A lot of people seem to have this problem, which may be why digital photo frames are getting more popular. They offer a quick and easy way to display images without the commitment of having them printed or bound into a book.

Available this month, new PanTouch digital photo frames from Pandigital are designed to be so simple that users can use them right out of the box, without having to read the manual. They feature intuitive menus that show users where to touch on the matte around the image to control the screen. Capable of displaying digital images as well as playing MP3s and video clips, the frames also come with remotes to allow control from a distance. In addition, the frames are WiFi and Bluetooth compatible, allowing users to import images from Google's Picasa Web Albums, or any Bluetooth enabled device. They also include 6-in-1 card readers and the standard and mini USB ports allowing direct downloading from your computer or digital camera.

The new line of frames includes a 7-inch, 8-inch and deluxe 10.4-inch model. Each model comes with image optimization software that maximizes the number of images that can be stored in the frame's internal memory. The 10.4-inch model also features a High Definition screen that will do even the highest resolution images justice. Prices range from $119.99 to $249.99.

Showing friends my vacation pictures on one of these digital frames sounds like a lot more fun than having them huddle around my computer. The frames are also a fun way to keep my trips on my mind. Maybe seeing a slide show of my favorite pictures whenever I walk by the frame will motivate me to jump into the massive image sorting project I have ahead of me!

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